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MESCALINE: The World's First Psychedelic w/ Mike Jay | YMT Podcast #30 [Peyote & San Pedro]

Ciekawa o rozmowa z autorem książki o historii użycia meskaliny. Materiał z kanału YT Your Mate Tom (https://www.youtube.com/c/TomZ3M/videos)

Your Mate Tom talks to Mike Jay, author of, "Mescaline: A Global History of the First Psychedelic [YMT...

Peyote: Last of The Medicine Men - Huichol People of Mexico (ENG)

W "Last of the Medicine Men" brytyjski poszukiwacz przygód Benedykt Allen przedstawia nam meksykański lud Huicholi i ma rzadki przywilej uczestniczenia w rytualnej ceremonii z peyoltem.

We Ate a BIG Dose Of The Rarest OG Psychedelic, Here's What Happened.

Materiał z kanału YT Psyched Substance (https://www.youtube.com/channel/UCn8V3KNSgDr1Dai77_y8JrQ)

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What happens when you do a high dose of some very rare and potent Mescaline HCI? Oh boy... you don't want to know. Or maybe you do. Maybe y...

Derrière les volets (Messaline Raverdy) VOFR (+ english subtitles)

Starting with an empty factory, a family name and a trunk of archives, the poetic stroll of an apprentice film-maker who moves in her grandmother’s house. A reverie about oblivion and the invisible, woven of scattered materials, archival documents and language games, for a film-book wondering about the transformation of the female body, the question of an impossible transmission and the fabric of time.
À partir d’une usine vide, d’un nom de famille et d’une malle d’archives, la déambulation poétique d’une apprentie cinéaste, qui s’installe chez sa grand-mère. Une rêverie sur l’invisible et sur l’oubli, tissée de matières éparses, archives et jeux de langage, pour un film-carnet s’interrogeant sur la transformation du corps féminin, la transmission impossible et la matière du temps.

Behind the Shutters - Derrière les volets (Messaline Raverdy) Trailer FREN

Behind the Shutters
Messaline Raverdy
BE / 2018 / 50'
The doors of the abandoned Raverdy coffee and chicory factory remain closed, just like everything around it. The director – herself a descendant of the Raverdy family (and expecting her first child) – goes in search of the stories behind this sealed-off part of the city. She moves in with her 91-year-old grandmother, who lives over the road. Piece by piece, she is able to reconstruct events leading up to the factory’s closure, using old photos, advertising brochures, myths, language games, conversations with her grandmother and former female factory workers.
These memories unfold through different storylines. The factory’s surroundings are explored through a poetic film style, and the history of the nunnery next to the factory is also revealed. This sensitive film is a reflection on the invisible and the forgotten, revolving around women and the changing body.
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