This channel is for videos of me practicing music, I think it is useful for people to see how much time people spend just.. being bad at it lol.
I'm also using this to give an example to people of how a voice changes while taking testosterone as part of a FtM gender transition.
(yes, I'm going to include the voice cracks and nonsense times!)
Feel free to reach out with any song requests, but please do limit them to public domain/ open license songs.

This channel is for videos of me practicing music, I think it is useful for people to see how much time people spend just.. being bad at it lol.
I'm also using this to give an example to people of how a voice changes while taking testosterone as part of a FtM gender transition.
(yes, I'm going to include the voice cracks and nonsense times!)
Feel free to reach out with any song requests, but please do limit them to public domain/ open license songs.

/e/OS is a mobile operating system with pre-installed apps and online services that help users regain control of their personal data on their phones. All Android apps can be used with the option for users to see how built-in trackers are hidden within each app, so they know in advance of any potential threat to their data. /e/OS is committed to providing better data privacy and security for individuals and corporations, along with a state-of-the-art user-friendly experience.

/e/OS is a global project, supported by an international core team of experienced entrepreneurs, developers and designers, and a vibrant growing community of contributors. Its mission is to make technology that makes user privacy accessible to everyone.

Let's explore the deep depths of gamedesign and everything else important about videogames, because I want to understand how they work, how they make us happy and why most videogames are so immersive.

This channel is dedicated to high-quality videos about videogames and the gaming industry - enjoy!

OK.Video is a division of ruangrupa, and the festival serves as its most visible event and largest production entity. OK.Video started with the desire to understand how video and it's almost default denomination in artistic contexts as “video art” are used by artists, creatives, communities, and other agents of cultural production in the urban landscape of Jakarta. The terms “video”, “video art”, “new media”, and “Jakarta” became the familiar associations to OK.Video.

Since its initiation in 2003, it has occupied diverse roles as an initiator and a platform, and consequently, it has worked as a node and a networked institution. In 2013, the festival changed its identity as “Indonesia Media Arts Festival” to reflect its scope and history, to unload some of its commitment to other initiatives, to trace broader lines of inquiry and production through contemporary concerns in Indonesia and the region—Southeast Asia, and to actively participate in the global formation of discourses.

This is where I upload any rendered video I produce using software such as blender, most of these are test renders to see how they look, with basic names and plenty of near repeats.

"Co-organized by Rhizome and interdisciplinary contemporary arts organization Kadist, Speculative Values asks to what extent the work of arts institutions might be propelled forward using blockchain-based digital cooperatives known as DAOs (decentralized autonomous organizations).

Gathering artists, developers, and thinkers for a series of conversations and presentations, Speculative Values considers the apparent contradictions inherent in these forms, which are both financialized and cooperative; how these relate to the contradictions involved in traditional institutional models; and how these contradictions might play out in the future. "

Open Score was an annual symposium that explored the state of art and technology. Convening luminary artists, curators, researchers, and writers to discuss how technology is transforming culture, the first edition of Open Score considered how artists responded to new conditions of surveillance and hypervisibility; how social media’s mass creativity interfaced with branding and identity for individual artists; how the quality and texture of art criticism evolved in a digital age; and what the future of internet art might be in light of a broader assimilation of digital technologies.

Supported by the Robert Rauschenberg Foundation, Open Score: Art and Technology 2016 marked the fiftieth anniversary of the groundbreaking initiative Experiments in Art and Technology. The conference’s title was taken from Rauschenberg’s live performance Open Score during one of E.A.T.’s most iconic events, "9 Evenings: Theatre and Engineering."

These are timelapse (usually 60X -- 1 sec = 1 min, 1 min = 1 hour) screencasts of (mostly) production and development work set to music from our CC By-SA, CC-By, CC-0/PD music soundtrack library.

I mainly make these videos for self-management reasons. It's a very easy way to tally how much time I spend on different sorts of tasks each month, using the Kdenlive timeline of my "worklog" screencasts (I use FFMPEG to capture my screen once a second while working).

The video itself is not technically necessary, but it's kind of chill, the music is nice, and I find it good for my morale to have a record of the work I put in.

So far, anyway, these are all Terry Hancock's worklogs.

Oh, hi there everypony. How are all of you doing? I am kind of new to PonyTown, er, uh, PonyTube I mean. Now, I think I shall share something with you. When I first found Equestria Daily about some several moons ago, I only had a quick glance. Also, .. I was not really much on the network whatnot at that time either. Although, some-time ago I had re-found and discovered EQD. This is when I had fumbled into a little time-of-depression. As with PonyTown & PonyTube, they all helped me greatly. Although, for both, I was not on them all too much. Yeah, anyway, my purpose to be telling you this is how I, or rather Equestria has unlocked the path to help lead me to my lost passion. Equestria, I believe She had also helped me see true, true beauty in a pony that I never knew that I, I. That I could, eventually fall for. As you my she, I have, not only from this, also meeting her in-Pony. Eventually even after a while, I haven't seen anypony quite like;

| Zipp |
\_____/
I feel She & We=True